An ongoing pictorial exploration of baseball’s greatest windups and deliveries.
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THE SUMMER OF BEER AND WHISKEY GIVEAWAY CONTEST
While we all like to believe that baseball was handed down to us from the powers above, pre-packaged and ready to become the National Pastime, the fact is baseball was fighting for its survival by the early 1880s. But thanks to a band of mustachioed warriors lead by Chris Van Der Ahe who was willing to take on the National League by slashing ticket prices, playing on Sunday, and most importantly, selling beer, baseball was able to catch on and thrive with a whole new demographic of fans.
And thanks to the good folks at PublicAffairs, I have a copy of Edward Achorn’s new book, The Summer of Beer and Whiskey, to give away to one of you lucky so-and-so’s.
To enter, either reblog or leave a comment with your favorite food or drink you like to consume while watching a ballgame. All entries must be entered by Thursday, May 2nd at 12 pm PST*. The winner will be chosen randomly. Don’t be a sad sack, enter and get to read something great this summer.
*Please make sure when leaving a comment or reblogging to your own site, that there is an easy way for me to contact you. Otherwise, I’ll have to select another winner.
Consolidated B-24 Liberator Aircraft illustration
Flower shop. Brussels
- You admire a character for trying more than for their successes.
- You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
- Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
- Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
- Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
- What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
- Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
- Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
- When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
- Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
- Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
- Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
- Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
- Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
- If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
- What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
- No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
- You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
- Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
- Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
- You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
- What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.